F.T.W.
A topless little guy in face paint and shorts and no shoes waving a homemade flag and howling into a microphone accompanied by only an iPod. A mustachioed recorder player huddled cross-legged on the stage floor behind another colorfully hand-drawn banner while the rest of the band bashed out fuzzily good-natured pop out in front. A dude in a yellow Elvis T-shirt joining in a set of blistering garage rock. Another mustache, this time on a solitary singer-songwriter who mixed self-consciously bombastic post-Jeff Buckley balladry with self-consciously awkward stand-up comedy. A new band from some familiar local faces in their live debut.
That's an incomplete sampling of the live performances I was able to catch Wednesday and Thursday nights last week at Vaudeville Mews:
I Should've Killed You When I Had the Chance.
The biggest revelation for me was Coyote Slingshot, the cathartic spazz-punk project of Fairfield, Iowa's own Dominic Rabalais. With a highly worthwhile four-song 7" out on Austin, Texas-based Super Secret Records, First Word of Evil Omens: Vitium, Coyote Slingshot occasionally play as a full band-- or so I'm told. But on Wednesday it was all Rabalais, backed mainly by nothing more than an mp3 player. The even-blurrier-than-normal photos stored in my phone tell the story: First this guy with face paint, a white T-shirt, and black shorts is screaming his lungs out and waving a flag. Then he has handed the flag to an audience member, and he doesn't have a shirt on anymore, and he's screaming his lungs out. Then he's holding an acoustic guitar and screaming his lungs out. Then he's curled on top of the bar, still holding the acoustic guitar, still screaming his lungs out. My pictures don't show it, but this entire time the dude's mp3 player is blasting ear-shatteringly loud, heavily textured, no-fi punk-pop-whatchamacallit, with keyboards and drums and distorted electric guitars and shambling acoustic guitars. If you like the crowd participation of Dan Deacon (or locals like Christopher the Conquered, whose members were at the show, and the Poison Control Center, currently on tour) or the passionate intensity of Titus Andronicus, or even the ramshackle eccentricity of Neutral Milk Hotel, then Coyote Slingshot seem like a must-see.
What did I do? What did I do?
I'm gonna buy sneakers that are black/
And think about the devil!
The more I listen to it, the more I feel like Spit may one day be considered an overlooked classic. Don't count on the band to care enough to top it on their next album-- but then again, I wouldn't count them out, either.
I'll walk the way you walk.
California, they never, ever warn ya.
The late show Wednesday brought Pearly Gate Music, a Barsuk Records signee from Seattle who performed solo that night. He was affable and funny and the set was totally solid, but I didn't take notes and don't have too much more to add; the self-titled debut release has a full band and is worth a listen, striking me on initial listens as something people who dig the mellower Okkervil River songs might enjoy. Locals Love Songs for Lonely Monsters-- featuring members of Wolves in the Attic-- made an impressive debut last week, too, with some intricate, almost mathy guitar playing, including some instrumentals. But I didn't get much in the way of photos. Another idiosyncratic sort of death-metal/indie-folk set from Iowans Land of Blood and Sunshine, as well. Oh man, and I caught the end of set from Des Moines' the Seed of Something, who seem to be improving every time.
So Long Silly Rabbit.
For real: a summer preview (hey, it's not summer yet, technically) will be coming up soon.
Love!
No comments:
Post a Comment